Love and Resonance

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By Dr. Jessie Mercay
posted by Ganesh

In the Vishwakarma tradition I follow there is a concept called resonance. It is due to resonance that the “Vaastu effect” occurs. This resonance is likened to the resonance that occurs when you strike a string on a guitar (for example) and the same string on a guitar next to it voluntarily starts to vibrate. We say that is what happens when a person spends time in a Vaastu building. That is, the luminous thread of consciousness in the cave of their heart (known as the Brahma sutra) starts to vibrate with the special qualities of the Brahmasutra of a properly built Vaastu building. This is what brings the good qualities of the Vaastu building to the life of the person because the qualities of the luminous thread of light of the building called Brahmasutra transfers its qualities to the individuals thread of light or Brahmasutra and then the Brahmasutra of the individual out-pictures its qualities as their life. So, if you change the frequency or vibration of the Brahmasutra then you change the life of the person.

Yellow Tulips

Well, this resonance spoke of in the Vaastu Shastras and Pranava Veda is called bhakti. It is actually a scientific word coined by Brahmarishi Mayan to describe resonance in Vaastu. Most people think it means “service or love.” While it has come to mean that over time, the origin of the word was developed to describe resonance as a concept.

I was discussing this in class and with that discussion I mentioned that research shows that “love” is really simply a biochemical reaction in the body. I mentioned that our emotions are chemical molecules and that includes “love.” (See the text “Molecules of Emotion” and many other books based on solid research). This is of course disconcerting to most people. The term “bhakti” has become romanticized to mean service to the guru or love of God etc, and it is a hard pill to swallow when the real meaning is discussed.

But, to think of bhakti as love and devotion is a misrepresentation of the real meaning of the word. After thinking about it further I thought I would define the word more clearly. “Bha” has several interesting meanings that include: A beam of light, luster, brightness, splendor, to look like, to appear as, to shine upon, to show ones’s self as, to come into manifest as. The suffix “ti” contains among other meanings the idea “to go toward.” It also contains the concept” to attain.”

Furthermore, the Sanskrit noun ”bhakti” is also derived from the verb root ”bhaj”, the meaning of which includes, “to share in” and” to belong to.” It also occurs in compounds where it means, “being a part of” and “that which belongs to or is contained in anything else.”

Hence, putting it all together, we find that “bhakti” refers to a bright, splendorous beam of light (the cosmic Brahmasutra of the building) that looks like ones own beam of light (individual Brahmasutra found in the Atman which resides in the cave of the heart of every living being) that moves toward an individual, shines upon an individual, becomes part of the individual and shares its’ qualities with the individual. This is a perfect description of what Brahmarishi Mayan meant in describing resonance. Hence, the word “bhakti.”

So what about love? Interestingly enough, one of the vibrational qualities of the Brahmasutra of a Vaastu building is referred to as “spiritual bliss.” This sounds like a woo woo word but, in fact, it is a real frequency. This refers to a specific vibration which when experienced is filled with joy, happiness, and immense ecstasy and sense of well-being. Following an upsurge of spiritual bliss a series of emotions may unfold. Among these emotions one may experience something called divine love. Divine love is not the same as human love. It really has no object and is a direct experience of the divine consciousness experiencing itself through you. It has been called rapture and many other things.

When a person has this experience of spiritual bliss and divine love then as the experience fades a bit human love follows. Along with this human love is a sense of wanting to serve the lord in some way. The bhakti or resonance is the cause not the service or love and devotion. In other words, through grace we have the ecstatic experience of spiritual bliss and divine love. We cannot do any service or anything else to create that experience. It is only the divine itself that causes that experience in its’ own time. Then human love and desire to serve follows.

There is satisfaction from loving and serving but that satisfaction is not bhakti. Only the divine causes bhakti. We cannot cause bhakti by our actions of service and devotion. When we enter a Vaastu house or Vaastu temple, there is an automatic bhakti that occurs due to the Divine vibration of the building achieved through application of the numerical order, orientation, and building codes designed to uphold the vibration that are contained in Vaastu Shastras. Only very few living people are properly trained to produce a proper Vaastu building. Thos people have spent years at the feet of a traditional Sthapati year after year and have devoted many years to proper study and experience. Their knowledge can only be passed on by the permission of their Sthapati.

In short, a Vaastu building offers Bhakti to an individual by the Brahmasutra (luminous thread of light) extending itself outward and moving to that part of a human (the Brahmasutra of the Atman) that is like itself (the divine spark found in the cave of the hearty) and brings luster and luminosity to the individual. Bhakti – divine resonance – is for everyone. Mayan said he created this art for the well-being of humanity. Now it is available for the world – for you. We are creating these forms for you – all for love.

Source: http://aumscience.com/wordpress/love-and-resonance/

Pranava Veda – Source?

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By Dr. Jessie Mercay
posted by Ganesh

Earlier it saw mentioned that Pranava Veda as a lost science. The Pranava Veda, the foundation for the scientific background of this body of knowledge, was lost for hundreds maybe thousands of years. There is an amazing story about its rediscovery that will shed light on the privilege it is to learn about Mayan and the Pranava Veda.

The Discovery

In a small village in rural Tamil Nadu, India, there lived a scholar and poet by name Veerabathiranar, also known as Kaurmari Dasar. Veerabathiranar was a savant and had a divine gift of perfectly memorizing thousands of verses of ancient texts. The works of Mayan were among the texts he memorized in his younger years.

Veerabathiranar had a special interest in astrology and sought out ancient palm leaf texts at the famed Saraswati Mahal Library in Tanjore, Tamil Nadu, India. The Saraswathi Mahal Library contains rare and valuable collections of palm leaf manuscripts on all aspects of art, culture and literature and medical prescription of ancient Ayurveda scholars including patient case studies and interviews in the manuscripts classified under the Dhanvantari section. These manuscripts have been collected for hundreds of years – some of the knowledge is thousands of years old.

In his search for the most ancient texts on astrology, Veerabathiranar found a large cache of very ancient palm leaf texts. He read portions of them and then continued to look for astrology texts. Something inside drew him back to the old cache of texts he found. He kept reading them again and again for four years. He soon came to realize that these texts were of great import. He realized that the legendary great sage and architect named Mamuni Mayan wrote them.

Over time, Veerabathiranar became so entranced by Mayans’ writing that he began to memorize thousands and thousands of verses. He returned on a regular basis to study and memorize what was called the Pranava Veda.

One day many years later Veerabathiranar went back to the library to view the text once again. He discovered that the source texts were missing. They were stolen, sold, or lost in a fire. It was unclear about what actually happened to them. He came to understand that he was the only source available for the preservation of this profound knowledge. He then sought out Dr. V. Ganapati Sthapati whom he knew had a great interest in the works of Mamuni Mayan because of Sthapati’s ancient family lineage as a Mayonic architect.

As Dr. Sthapati listened to Veerabathiranar chant the ancient texts he was mesmerized. He soon became overwhelmed with the importance of these scriptures. He realized that this knowledge being transmitted in front of him was the foundation of his own Vaastu lineage and the authentic entire lineage of Sthapatya Veda.

While Mayan was thought of as a mythical being from legends in many parts of India, in the southern region of Tamil Nadu, where he first lived after the great deluge, he was respected as a real human and authentic progenitor of Pranava Veda – the ultimate source of Vaastu Shastras, Agamas, and much of Indian culture. There even exist today places where he was known to have built shrines. His teachings were passed down to his twelve disciples and spread throughout India and to many places in the rest of the world.

Dr. Sthapati’s lineage was part of the tradition begun by Mayan. Dr. V. Ganapati Sthapati took great effort in recording, in writing, the fifty – thousand verses of the Pranava Veda that Veerabathiranar recited to him. The Pranava Veda is one of the oldest Tamil Works available today. It is presented as the source of Vedas by Veda Vyasa himself (compiler of the Vedas). This scripture deals with the basic principles of Light, Sound, Space, Time and Self (individual and Universal soul). The Pranava Veda is said to be a detailed commentary on Mayan’s seminal work The Aintiram that is currently a published text.

Dr. S. P. Sabharathnam, a Vastu and Agama scholar and translator of Mayan’s works and many other ancient texts says this about Pranava Veda:

The working pattern of the basic two aspects of Pranava (OM) – OM light and Om sound is the core subject of this work. The nature of Primal Light is analyzed in terms of visible rays, invisible rays, sparks and flames, which are constantly working. In inner cosmos and outer cosmos, (inner cosmos is within every Human body) the nature of Primal Sound is analyzed in terms of audible and inaudible sounds which go hand in hand with the Luminous rays and sparks. The Pranava Veda establishes the truth that there is the basic source of Primal Light, which emits trillions and trillions of luminous beams, which are classified into three – solar, lunar, and fiery. All the visible luminous bodies moving in the near and distant heavens derive their energy only from this Basic Source of Primal Light… The Pranava Veda speaks elaborately on the 64 square grid, micro-abode, five-fold manifestation, five cosmic elements, the positive, negative and neutral interaction between the five cosmic elements and above all the unfailing total identity and correspondence between the inner cosmos (human body) and the outer cosmos.

Some of the worthy declarations made in this Veda are:

  • Who is there in this world who has perfectly realized the greatness and efficacy of the human body? 
  • It is only the perfect human being who could gain the essential knowledge of the Eternal Existence and of the ever-pure Space of Consciousness. 
  • It is only the perfect human being who could gain the beatific intuition and everlasting Bliss. 
  • It is only the perfect human being who could co-ordinate the basic functions of light, sound, space and time. 
  • It is only the perfect human being who could attain the knowledge of Cosmic totality within himself and elevate Himself to the extreme spiritual heights.

The Pranava Veda, which is replete with basic principles and concepts of the ever – expanding universe and the visible and invisible cosmic structures, is sure to benefit the reader in great measure.

Reference

Fabric of The Universe: The Origins, Implications, and Applications of Vastu Science By Jessie J. Mercay. Text and diagrams, with permission, from Dr. Jessie Mercay, Fabric of the Universe, aumscience.com/wordpress. For any questions please visit http://www.aumscience.com.

Vaastu Veda – Link to The Ancient Past 2

By Dr. Jessie Mercay
posted by Ganesh

Veda Vyasa in his Bhagvatam mentions the Pranava Veda:

Vyasa on Pranava Veda

This is paraphrased as: In the ancient past there existed only one Veda and it was called the Pranava Veda.

During the time of the Pranava Veda, India was united as one great country whose borders spanned to Persia, Afghanistan, Nepal and into Cambodia and the Far East. There was no caste or division by religion or color. This Unity also reached to Kumari Continent that once existed in the South Ocean below India but was deluged by water from the melting icecaps (circa 10,000 BC). This fact has been revealed in the Bhagavatam, Sankalpa, Saivagama, and other sources.

The literature that supports the body of knowledge in the Vishwakarma tradition is vast. In India, there were more than 70 Shastras held by the Shilpis. In addition there are over fifteen Shastras written by the ancient Rishi Mayan who was the progenitor of this entire body of knowledge including the previously mentioned Pranava Veda, Aintiram, Suryasidhantam and Mayamatam.

The technical material found in this vast body of literature can also be found in epics, puranas, and throughout the body of literature called the Vedas. References to the scientific, technical and spiritual aspects of this knowledge can be found throughout the Vedas. Once the foundational knowledge from the Pranava Veda and Aintiram is understood then the normally difficult – to – understand Rig (Rik) Veda becomes well understood and profoundly significant.

Chapter 17 in Dr. V. Ganapati Sthapatis’ text, Building Architecture of Sthapatya Veda discusses the Upanishads that are left out of the usual list of Upanishads. Apart from the 108 Upanishads, there are non-listed ones that reveal the most basic and subtle principles of cosmic science and cosmic structure, principles not revealed in other Upanishads.

Shilpa Vidya Rahasyopanishad (one of the non-listed Upanishads) brings out the potency of the cosmic science known as Shilpa. Vaastu Sutropanishad refers to the metaphysical question of the origin of form and its importance for the attainment of spiritual realization or “moksha.” This Upanishad throws light on the basic conceptions and practice underlying sacred art.

These Upanishads, if studied and understood, provide a deepened understanding of the other Vedas. According to Dr. S. P. Sabharathnam the Vedas are to be studied and properly understood by those whose minds have first been illumined and perfected by the systematic study of Agamas and Vaastu scriptures.

He mentions that while an Agamic or Vastu Scholar could easily understand that the first Mantra of the Rig Veda speaks of the 5 concentric belts of cosmic structure, no existing commentaries and translations of the Rig Veda offer any reference to the implication of the 5 belts of cosmic structure (as described in this text). This knowledge is revitalized through the Grace of God by the efforts of Dr. V. Ganapati Sthapati. He is our root – our moolam.

Reference

Fabric of The Universe: The Origins, Implications, and Applications of Vastu Science By Jessie J. Mercay. Text and diagrams, with permission, from Dr. Jessie Mercay, Fabric of the Universe, aumscience.com/wordpress. For any questions please visit http://www.aumscience.com.

Vaastu Veda – Link to The Ancient Past 1

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By Dr. Jessie Mercay
posted by Ganesh

Dr. V. Ganapati Sthapati is our direct link to the ancient past. He was a practicing traditional architect/designer, builder, sculptor, writer and teacher, born of the aboriginal creative tribe of India – Vishwakarma. He was a Vishwabrahmin and his genealogy can be traced as far back as 1050 years with an understanding that his ancient ancestors beyond that time were also Sthapatis (an honored title for a person who is all inclusively an architect, builder, sculptor and scholar). Excellence and fame has followed his family through the ages. He has been given numerous awards from State level to National level. His most recent award was a designation of Padma Bushan by the government of India. Among his many other distinctions, he is designated as Shilpi Guru of India – highly esteemed teacher of this body of knowledge. He was the only living Shilpi Guru in the 20th and 21st century. This tribe, Vishwakarmas or Vishwabrahmins, has owned a unique body of technical literature called Vaastu Shastras, Sthapatya Veda, Pranava Veda and Aintiram for about 12,000 years. Within these texts are enshrined a science and technology that reveals two substances known as Vastu and Vaastu. Vastu is unmanifest subtle energy and Vaastu is gross energy as seen as the material world. These are depicted in Einstein’s equation E=mc2.

This entire body of knowledge is recognized as Mayonic Science and Technology, Vaastu Veda or Sthapatya Veda. Also rooted in this knowledge base is the Agamic literature. In his Srimat Bhagavatam Veda Vyasa, the compiler of the Vedas, mentions Sthapatya Veda. Vyasa mentions that Sthapatya Veda is to be held as one of the Vedas apart from Rig (Rik), Yajur, Sama, and Atharva Veda.

Yelopakhyanam

This Sthapatya Veda has been in force from very ancient times in the name of Vaastu Shastras.

While at one time the Shilpis of Bharat had regional names for their clans, today they are united under a national association called Akhila Bharata Vishwakarma Mahajanasabha. In the past centuries these clan members thrived as the entire culture depended on the products of these artisans. They too created everything from cities to jewelry, pots and pans, and even home furnishings – all done in a specific mathematical order designed to bring peace to the owner. Today many of their functions have been taken over by pseudo Vaastu consultants who know little of the authentic tradition.

In addition to the traditional building and manufacturing arts, under the umbrella of Vaastu Science falls the five Fold Science: Poetry, Music, Dance, Sculpture, and Architecture which correspond with the traditional science of Iyal, Isai, Natam, Kattidam, and Sirpam in the Tamil tradition. In Sanskrit they are called Sabda Veda, Gandharve Veda, Natya Veda, Sthapatya Veda, and Pranava Veda. They are all governed by a unique grammar of r the science of Energy and Matter, Space and Time, and Rhythm and Form. The fundamental nature of these elements is revealed in the ancient text, The Pranava Veda. This is none other than the Science of manifestation. That is, the science of how the Infinite Energy (Vastu) transforms itself into matter or form (Vaastu).

Reference

Fabric of The Universe: The Origins, Implications, and Applications of Vastu Science By Jessie J. Mercay. Text and diagrams, with permission, from Dr. Jessie Mercay, Fabric of the Universe, aumscience.com/wordpress. For any questions please visit http://www.aumscience.com.

Vaastu Temple – Part 2

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By Dr. Jessie Mercay
posted by Ganesh

The affect of these buildings built using principles from ancient texts called Vaastu Shastras and Agamas is so great that the eighteen enlightened Siddhas (18 Siddhars) of India are known to have become enlightened at various buildings such as these in South India. For example, the great seer Pantanjali, who wrote The Yoga Sutras, became enlightened at Rameswara Temple, and was also influenced by Chidambaram – both Vaastu temples in Tamil Nadu, India. Thirumular, the enlightened sage and author of Thirumaintiram, became enlightened at Chidambaram. The modern saint Maharishi Ramana spent days and nights for months at Thiruvanamallai temple prior to his enlightenment. And, in India, when a person is so ill that the doctors cannot treat them, they are sent to one of these buildings to stay until they get well – and they do for the most part. Vaastu Temple Cottage in New Mexico built by the author and AUM S&T students in 2008.

How is it that a building can create an identifiable change in the physiology and experience of an individual? We know that there are buildings that make us feel good and buildings that we can’t wait to get out of but how is it that these particular building have a repeatable and testable affect on people? There is an answer to these questions and that is what the Vastu and Vaastu Science is all about.

Vaastu Garage

This is a Vaastu house and garage built with precision by Dr. Jessie Mercay in New Mexico. It is a modified New Mexico Territorial style. Vaastu Architect Betsy Pierce (AUM S&T student at the time) drafted the plans under the supervision of the author. Most styles of architecture can be adapted to Vaastu. Vaastu homes range from very simple forms (above) to complex mansions.

Aztec Canyon Temple

Aztec Canyon Temple Cottage mentioned in this introduction. Wall material is made of an eco board called Comfort Board. It is a fireproof and breathable material made of magnesium oxide (Mgo) and hemp fibers. The inside walls and ceiling are also Comfort board with a pyramidal interior ceiling. This form in ones backyard will serve to bring pure Vaastu energy to ones home setting. The feeling is almost indescribably peaceful and fulfilling. Most traditional building materials may be used to enclose space for Vaastu Architecture. This is the fundamental form and size of the magnificent Temples of India. Every home would benefit from one of these – even smaller than this would be an amazing addition to any family home site.

Vaastu Temple - Traditional

This is a more traditional looking home Temple Cottage built (summer and fall 2011) by AUM S&T students, which was supervised by Dr. Jessie Mercay and built with former AUM S&T student, Certified Vaastu Builder, Ken Hoffman in Patagonia, AZ. (Sponsored by Jackie and Ed Fleeder). The vibrancy of all of these buildings is significant and rivals any other existing Vaastu buildings. These are also available for homeowners who have space on their plot.

Reference

Fabric of The Universe: The Origins, Implications, and Applications of Vastu Science By Jessie J. Mercay. Text and diagrams, with permission, from Dr. Jessie Mercay, Fabric of the Universe, aumscience.com/wordpress. For any questions please visit http://www.aumscience.com.

Vaastu Temple – Part 1

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By Dr. Jessie Mercay
posted by Ganesh

In a small and obscure red rock canyon in southern AZ called Aztec Canyon you can find a little metal roofed square building, which measures about 10’. x/32” by 10’. x/32 “ by 10’. x/32” in size, sitting amongst a forest of old black oak trees that are native to that land. (The mathematics are precise but not offered here because they are part of the ancient Vaastu Rahasya – secret of Vaastu – and can only be given by a Sthapati or his or her direct representative). The Temple Cottage, as it is called, was built-in the summer of 2010 by students from around the world who were studying an ancient building science called Mayonic Science and Technology, Sthapatya Veda or more popularly, Vaastu. Its’ construction was part of a 1-½ year program to become a certified Vaastu Consultants through the American University of Mayonic Science and Technology http://www.aumscience.com.

Vaastu Temple

People who visit this building notice that it is simple, elegant and precisely built to 1/16th of an inch or better. More than that, they notice that there is an inexplicable feel to it that immediately brings a sense of peace, happiness and what some have called spiritual bliss. No matter what your mood might be upon entering this special building, you will feel elevated and at peace. It is an unmistakable feeling that has been scientifically verified through research conducted in this and similar buildings using state of the art equipment that measures something called heart coherence. http://www.heartmath.com

Heart coherence (the relative stability of the heart beat with more or less variability) has been demonstrated to indicate the level of stress in an individual and the subsequent state of their body, brain, emotions and consciousness. High heart coherence (low .. 2 heart rate variability) indicates a peaceful, blissful, connected state and low coherence indicates a restless stressed state with all of the biochemistry associated with that state. There are indications that heart coherence may be a more profound indicator of higher states of consciousness then research in brain wave patterns. Put simply, scientists are finding that the brain is not the commander – the mind of the heart is in fact the one who runs the show.

When one expects to feel something often they do – real or not. Science helps eliminate the collusion that happens so often in this age of crystals, chanting, and tarot cards. We now know that buildings such as these have an authentic and unmistakable positive affect on people. In the research that was conducted (Mercay and Hoffman, January and July 2010), individuals were measured before and during exposure to such a building (including this one). The results were clear – the subjects demonstrated a significant increase in heart coherence while being in these buildings. Their heart coherence doubled in every case. Subjectively they noted an increase in happiness, wellbeing, peacefulness and that subtle illuminating experience called spiritual bliss.

I remember taking an unsuspecting electrician into one of these small buildings a few years ago when I was building such a house and Temple Cottage for a family in New Mexico. He knew nothing about what I was doing. When he entered the Temple Cottage he said, “Wow I almost feel dizzy – it feels really good in here.” His words faded off as he stood blissfully in the Temple of Space Science as Dr. V. Ganapati Sthapati calls them. On the same site, the county building inspector who came to inspect the much larger house being built on the same property using the same ancient principles turned around one day and said, “I don’t know what it is about this house – it looks like any other house – but there is something special going on here.”

Reference

Fabric of The Universe: The Origins, Implications, and Applications of Vastu Science By Jessie J. Mercay. Text and diagrams, with permission, from Dr. Jessie Mercay, Fabric of the Universe, aumscience.com/wordpress. For any questions please visit http://www.aumscience.com.

Vaastu through the Arts – Part 2

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By Dr. Jessie Mercay
posted by Ganesh

Earlier we saw a definition of Vastu and Vaastu based upon a study of the roots of the words as below…

Vas: to shine; to grow bright, to bestow by shining upon, to cause to shine; to enter into, to dwell, becoming light, dawning, the seat or place of, an abiding substance or essence, the pith or substance of something, to cohabit with.

Vaas: to make fragrant or to perfume, an intoxicant, to be or make firm, dwelling place, to assume the appearance of, matter. (Cologne Lexicon)
Tu: One who changes his shape at will.

Vastu is that energy or force that lives eternally. It is never-ending and omnipresent.

In examining these definitions, we can see that Vastu is the seat of an abiding, shining luminous substance or essence (the essence of life). It has a quality of growing brightness and is the pith or substance that enters into and cohabits with that in which it dwells and that which dwells within it. It is the source of the material world yet it cohabits with the material world as Vaastu. It does not separate itself from the material world. In fact, the material world (Vaastu) exists within the body of Vastu. It changes its shape at will and becomes the innumerable forms of the material world and exists as Vaastus (all material forms).

Vaastu is that which assumes the appearance of matter. It makes firm or gives concrete shape to the place where it dwells. It makes fragrant that in which it dwells. That fragrance is the intoxicating spiritual bliss experienced by people who live in or visit a Vaastu structure, listen to Vaastu music or poetry, or view Vaastu sculpture and dance. Here we are speaking of authentically created and executed forms of these arts based on the ancient Shastras.

Authentic Vaastu or Mayonic arts that use the principles Mayan established brings forth this essence we call Vastu. This essence is luminous. It causes that which it enters to shine – glow. As it becomes Vaastu, that form which it enters – music, poetry, architecture etc., becomes fragrant with the light of Vastu – the light of consciousness. The listener, viewer, or inmate then becomes permeated with specific qualities of consciousness exhibited in the art. This results in an intoxicating experience of spiritual bliss.

This Mayonic Science/ Vaastu Science and Technology must live. Conscious people must take it as a personal responsibility to help it grow in their area of interest. It is the savior of the world, the balm for the suffering on the weary road of life. It brings enlightenment and spiritual bliss to those who partake of arts and architecture that demonstrate its principles.

From the pen of Santi – Deva a 14th century monk:

This Thought of Enlightenment…
it is an elixir made to destroy death in the world,
an unfailing treasure to relieve the world’s poverty,
a supreme balm to allay the world’s sickness,
a tree under which may rest all creatures wearied with wandering over life’s paths,
a bridge open to all wayfarers for passing over hard ways,
a moon of thought arising to cool the fever of the world’s sin,
a great sun driving away the gloom of the world’s ignorance,
a fresh butter created by the churning of the milk of the Good Law.

For the caravan of beings who wander through life’s paths hungering to taste of happiness, this banquette of bliss is prepared, that will satisfy all creatures coming to it.

Those of us who have supported, studied and applied this art and science bring this banquet of bliss to the world. Come join us. Build a Vaastu house, garden cottage or temple cottage, learn the application of Mayonic/Vaastu principles to the visual arts, or study Vaastu music. Support AUM S&T. Somehow participate in this great endeavor for the wellbeing of humanity.

Reference

Fabric of The Universe: The Origins, Implications, and Applications of Vastu Science By Jessie J. Mercay. Text and diagrams, with permission, from Dr. Jessie Mercay, Fabric of the Universe, aumscience.com/wordpress. For any questions please visit http://www.aumscience.com.