By Dr. Jessie Mercay
posted by Ganesh
The transformation from square waves to sine waves and back again is the story of the dynamics of Vastureva Vaastu – the 8X8 Vastu Purusha Mandala transforming itself into the manifest 9X9 Vaastu Purusha Mandala and back again.
As this takes place, I suggest that the transformation of 8 to 9 results in the production of standing waves. I believe that this scientific principle is encoded in the forms created by Vishwakarmans (Shilpis, sthapatis etc.) using principles of Mayonic Science and Technology. For example, I suggest that the famous Vishnu Statue is one such encoded form. The coiled serpent with many heads (Adisesha) represents/ demonstrates standing square waves and standing sine waves in their steady state forming a foundation for manifest Vaastu to sustain itself in material form represented by the God Vishnu (Ranganatha). While there may be other meanings associated with this particular statue form, I am suggesting that this might be an encoded scientific meaning.
In review, a standing wave pattern is a vibrational pattern created within a medium (space, stone, clay, architectural structures etc.). When the vibrational frequency of the source causes reflected waves from one end of the medium to interfere with waves traveling from the source, specific points along the medium appear to be standing still. Because the wave pattern appears to be standing still, the pattern is called a “standing wave pattern.” These standing wave patterns are only created within the medium at specific frequencies of vibration; these frequencies are known harmonics. In Mayonic Science and Technology the medium is Absolute Space and all of the elements described earlier in this monograph (Absolute Time, Om Light, OM Sound, Air, Fire, Water, Earth) are vibrating frequencies and the materials used to create manifest forms. The vibrational frequency is manifested through the mathematical formula used to create the mother wall of a Vaastu structure/form.
Sine waves interacting with each other causing standing waves. I believe that in the Shilpic tradition of Mayonic Science and Technology, this (and other scientific principles) was preserved through visual language and visual mathematics in the reclining Vishnu statue and in the forms of other gods and goddesses.
Fabric of The Universe: The Origins, Implications, and Applications of Vastu Science By Jessie J. Mercay. Text and diagrams, with permission, from Dr. Jessie Mercay, Fabric of the Universe, aumscience.com/wordpress. For any questions please visit http://www.aumscience.com.