Sacred Geometry – The Blueprint of Creation?

Sacred Geometry is the blueprint of Creation and the genesis of all form. It is an ancient science that explores and explains the energy patterns that create and unify all things and reveals the precise way that the energy of Creation organizes itself. On every scale, every natural pattern of growth or movement conforms inevitably to one or more geometric shapes.

As you enter the world of Sacred Geometry you begin to see as never before the wonderfully patterned beauty of Creation. The molecules of our DNA, the cornea of our eye, snow flakes, pine cones, flower petals, diamond crystals, the branching of trees, a nautilus shell, the star we spin around, the galaxy we spiral within, the air we breathe, and all life forms as we know them emerge out of timeless geometric codes. Viewing and contemplating these codes allow us to gaze directly at the lines on the face of deep wisdom and offers up a glimpse into the inner workings of the Universal Mind and the Universe itself.

The ancients believed that the experience of Sacred Geometry was essential to the education of the soul. They knew that these patterns and codes were symbolic of our own inner realm and the subtle structure of awareness. To them the “sacred” had particular significance involving consciousness and the profound mystery of awareness – the ultimate sacred wonder. Sacred Geometry takes on another whole level of significance when grounded in the experience of self-awareness.

Sacred Geometry

Geometric shapes actually represent the manifest stages of ‘becoming’. To see and work with unity and wholeness in geometry can help abolish our false notion of separateness from nature and from each other. Through Sacred Geometry we can discover the inherent proportion, balance and harmony that exists in any situation, all manifest reality and even the circumstances of our day-to-day life.

The Energy in Action

Leonardo Fibonacci was an Italian mathematician who introduced to Europe and popularized the Hindu-Arabic number system (also called the decimal system). He contributed greatly to number theory, and during his life published many important texts. He is also known for the Fibonacci Series, a numerical series found frequently in the natural world.

The Fibonacci sequence is generated by adding the previous two numbers in the list together to form the next and so on and so on.(1, 1, 2, 3, 5, 8, 13, 21, 34, 55…). Divide any number in the Fibonacci sequence by the one before it, for example 55/34, or 21/13, and the answer is always close to 1.61803. This is known as the Golden Ratio.

One of the most profound and significant activities encompassed within sacred geometry and lightSource is the ‘Golden Mean Spiral’, derived by using the ‘Golden Ratio’.

The Golden Mean was used in the design of sacred buildings in ancient architecture to produce spiritual energy that facilitated connectivity with spiritual realms through prayer.Our reality is very structured, and indeed Life is even more structured. This is reflected though Nature in the form of geometry. Geometry is the very basis of our reality, and hence we live in a coherent world governed by unseen laws. These are always manifested in our world. The Golden Mean governs the proportion of our world and it can be found even in the most seemingly proportion-less (active) living forms.

Clear examples of Sacred Geometry (and Golden Mean geometry) in Nature and matter:

  • All types of crystals, natural and cultured.
  • The hexagonal geometry of snowflakes.
  • Creatures exhibiting logarithmic spiral patterns: e.g. snails and various shell fish.
  • Birds and flying insects, exhibiting clear Golden Mean proportions in bodies & wings.
  • The way in which lightning forms branches.
  • The way in which rivers branch.
  • The geometric molecular and atomic patterns that all solid metals exhibit.
  • The way in which a tree spans out so that all its branches receive sunlight

Another, perhaps less obvious but most significant example of this special ratio can be found in Deoxyribonucleic Acid (DNA) – the foundation and guiding mechanism of all living organisms.

The understanding of geometry as an underlying part of our existence is nothing new, and in fact the Golden Mean and other forms of geometry can be seen embedded in many of the ancient monuments that still exist today. The Great Pyramid (the oldest of these structures) at Giza is a good example of this. The height of this pyramid is in Phi ratio (e.g. the Golden Mean Ratio) to its base. In fact, the geometry in this particular structure is far more accurate than that found in any of today’s modern buildings.

This explains why popular among spiritually significant shapes are pyramids and hemispheres (e.g. the domes, that are the basis of religious buildings, be it a mosque, a church or a synagogue). These particular shapes are energy emitters; they are shapes that produce a type of penetrating carrier wave which Chaumery and De Belizal named negative green (which acts as carrier-like radio waves that carry sound information). The vibrational quality of the Golden Mean gives it very strong communication properties, which facilitate resonance with higher realms in prayer.

We live in the 3rd dimension, or the ‘Plane of Manifestation’. The Golden Mean is an intra-dimensional doorway though which matter emerges into manifest 3-D reality. For example, when a star is born it follows specific number sequences or universal rules, the same rules of life in the expansion process. Then we see the light!

Thus the Golden Mean is the “fingerprint” of creation. When we re-create this moving and always expanding sequence, we have in effect – ‘the exact movement of creation in the expansion process’. When lightSource is playing, one is encountering and literally being bathed in this ‘Golden Ratio’ creation activity… undeniably one of the most harmonious, balancing experiences one can interact with.

Source: http://www.spiraloflight.com/sacred_geometry.htm

Center of (Universe : Earth : Heart)

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By Dr. Jessie Mercay
posted by Ganesh

This Cosmic force that we activate through applying the principles laid out in the Vaastu Shastras per Mayan is called Purusha or Vaastu Purusha. It is the manifest form of Vastu Purusha. In the Rig Veda, we find numerous references to Purusha. An entire sukta is called the Purusha Sukta. Here the Rig Veda says:

vedAhametam purusham mahAntam Aditya varNam tamasaH parastAt
tam evam vidvAn amRta iha bhavati na anyaH panthA vidyate ‘yanaaya

This great Purusha, brilliant as the sun, who is beyond all darkness,
I know him in my heart.
Who knows the Purusha thus, attains immortality in this very birth.
I know of no other way to salvation.

Vastu Purusha facing down is symbolic of waves of Vastu energy drizzling down onto and into a Vaastu building. This is Cosmic Space (Consciousness / Quantum field) transforming itself into matter and co-mingling with Vaastu Purusha within the center of a Vaastu building. Vaastu Purusha facing upward represents the Vastu Energy of the earth rising upward from the earth’s central cubicle core and entering into a Vaastu building then co-mingling with Vastu Purusha. Scientists have recently shown what Mayan proclaimed in 10,500 BC. That is, the central core of the earth is cubical (Macroabode).

Scientists have estimated that this cubical form is about 1200 kilometers square. If you analyze this according to Mayan’s theory the end product is amazingly interesting. That is if you divide that number by 9; then divide that product by 9 and do this 8 times then you come up with a number (about 1 and 3/32 inches) that is very close to Mayan’s angula (1 3/8 inches). This angula is the measure found on the thumb and middle finger of the human body of the human who is enlightened or in harmony with the Divine!

1. 1,200,000 m (1200 km) divide by 9
2. 133333.33 m divide by 9
3. 14814.81 m divide by 9
4. 1646.091 m “
5. 182.899 m “
6. 20.32211 m “
7. 2.258012 m “
8. .25089 m “
9. .027877 m = 1 3/32nd

From this I can only say that 1200 m is only approximate. But a very close approximation. I believe that if the cubicle form found in the center of the earth could be exactly measured and that measurement were reduced as above it would come to 1 3/8 inches (and we can find the exact measure of the cubical earth center by using 1 3/8 inch). I expect the cubicle center of the earth to be 1503.4063 m and not 1200 m. The measurement that Mayan says is the finger measurement of the ideal human who is in complete harmony with the Universe.

The 8×8 form is the fabric of the subtle universe – a description of the Unified Field and a description of the body of the Divine – Vastu Purusha. The 9×9 cubicle form is a description of the fabric of the gross Universe known as Vaastu Purusha.

How do we come to know this Purusha in our heart? Our microform is found in the cave of our heart. It is through the resonance we experience in a Vaastu house or temple that we can come to know this great Purusha in our heart.

In the center of the castle of Brahman (our own body) there is a small shrine in the form of a lotus flower (appearance of fully blossomed microabode as you look down from above), and within can be found a small space. We should find who dwells there, and we should want to know him. And if anyone asks – “Who is he who dwells in the small shrine in the form of a lotus flower in the center of the castle of Brahman?” We can answer -

“The little space within the heart is as great as this universe.
The heavens and the earth are there;
the sun, the moon, the stars;
fire and lightning and winds…
For the whole universe is in him
and he dwells within our heart.”

- Chandogya Upanishad 8:1

Reference

Fabric of The Universe: The Origins, Implications, and Applications of Vastu Science By Jessie J. Mercay. Text and diagrams, with permission, from Dr. Jessie Mercay, Fabric of the Universe, aumscience.com/wordpress. For any questions please visit http://www.aumscience.com.

Formula of Arts or Life?

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The generation of forms out of the vibration of energy-space is identified and quantified by Mayan as “eight” and multiples of eight, in that order. Hence, in the table of time-units and space units you find the evolution of the measure starting from zero and evolving into forms, in terms of multiples of eight. …the nature of the number 8 is to turn into form.

This is the basic formula of rhythms influencing the growth of all animate forms in a mathematical order and this is the fundamental measure adopted by the dancers, musicians, poets, sculptors and architects for all the development of artistic forms that they experience and generate from within.

- Dr. V. Ganapati Sthapati, Building Architecture of Sthapatya Veda.

Primal Energy – Representation

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By Dr. Jessie Mercay
posted by Ganesh

The genesis of this self-activating process begins with Zero Space – Soonyambaram. Imagine a vast, unbounded field of pure, unmoving vibrant potential energy. This field has no beginning and no end. It just is. This is the field called Absolute Space. This Zero Space can be visualized as an uncompounded, vibrant, concentrated square energy form (Eka pada) likened to a burning ember (Moolak Kanalnilai) pregnant with potential yet in vibrant stillness (nilaiyasi). It can be viewed as an unimaginably concentrated point of energy.

View of Eka pada from above looking down.

From a cross-section or side view, it can be represented here for the sake of analogy as a flat line.

This Absolute Space is Zero Point or Zero Time, no time or pulse, Absolute stillness and silence yet filled with potential energy.

Ōm Ōm Iyalviri Olinirai 1
Nilai Iyal Kalaiperu Miyalvirivey 2
Ōm Ōm Moolap Porulneri 3
Naarpurat Thiyalnilai Kalaisudarey 4
Ōm Ōm Ennilai Arupaan 5
Naankiyal Kanakkiyal Sittravayey 6
Ōm Ōm Sudaroli Moolak 7
Kanalnilai Onkurum perunthiraney 8

The self-spread Ōm light exists in a permanent state of luminosity. This luminosity is amazingly creative in appearance. The orderly shape of this primal source of luminous flame is four-sided (square). The mathematical state of this square is a composition of sixty-four microbodes or grids. The luminous primal ember contained within this square has enormous potency. (Pranava Veda, verse 3)

In this verse Mayan uses the word square for the first time (Naarpurat Thiyalnilai – four-sided shape). This gives shape to the unimaginably enormous flame that he describes in his previous verses. There are number of other references that explain the shape of the primal source of energy. Vaastu Purusha chaturasra samstaha – Vaastu (material energy), purusha (embodied primal energy), chaturasra (square), samstaha (contained).

We will see more details on this process next weekend.

Reference

Fabric of The Universe: The Origins, Implications, and Applications of Vastu Science By Jessie J. Mercay. Text and diagrams, with permission, from Dr. Jessie Mercay, Fabric of the Universe, aumscience.com/wordpress. For any questions please visit http://www.aumscience.com.

Fabric of the Universe – Origin of the World!

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By Dr. Jessie Mercay
posted by Ganesh

Mayan’s greatest achievement, and root of all of his other achievements, was the discovery of the Brahmam principle, which is akin to modern Unified Field Theory (the field of Brahmam) and quantum physics (the actions of particles and waves within the Unified Field). Not only did he discover The Brahmam principle but he also discovered principles akin to modern point theory, wave theory, string theory, and particle theory. He, in a nutshell, was able to describe the fabric of the universe and the innate functioning of an underlying intelligence responsible for the formation of matter. And, in that description, he explained a fundamental particle (micro and macro) from which all of life arises.

Mayan in his understanding of the Unified field and quantum field activities (ripples in the Unified field) was able to go farther than modern science. Mayan states:

“There exists an order in the Universe – subtle universe, and material universe. This power is attributed to the consciousness of the cosmic space as well as of the inner space of the animate beings. This consciousness, by its personal effort to express its own inner feelings, causes a kind of vibration or pulsation in the inner space, resulting in energy-grids. The vibration or pulsation, being the causal element of all these events, is called KAALA. This is actually the force of energy aroused by the inner consciousness, causing waves and contributing to the growth of living forms. This KAALA resides in all living beings. So, space is the offshoot of the vibration of the primordial energy. This is how the space was born. All forms of nature are manifest forms of subtle energy. For all to get manifested, the force is KAALAM. This wave-form frequency realm is the creative element of the universe.” (Aintiram)

Without exception, the ancient Vedic texts speak of Mayans’ Brahmam principle. Modern science has, in theory, come to understand that there is that one unified field from which the material world arises yet it is only a theory today. However, Mayan thought of it, saw it and described it – the Brahmam principle.

Mayan identified the structure of infinite and finite energy particles. Mayan defined the vibration of inner Space and outer Space as a quantifiable one by virtue of which he was able to identify the structure of these energy particles and an order in the development of forms of matter. He discovered that the subtlest and smallest particle exists as a cubical structure containing a vibrating Thread of Consciousness or Cosmic Fire. This Cosmic Fire is the creative element. This particle he called anu or Microabode (Dr. V. Ganapati Sthapati). The Microabode is the smallest particle in the Absolute or relative existence. It is the foundation from which all matter rises. Absolute Space is packed with these energy particles.

It is from these particles that Absolute Space manifests itself through Time, OM Light, OM Sound, the subtle aspects of the Pancha Bhutas (five elements –air, fire, water, earth, space). At this point, there is a question in the minds of almost every human in history: Why? A philosopher asks – Why did the Absolute manifest Itself? A religious person asks ‐ Why did God create the world? A scientist asks – Why does the quantum field project forth sound and light waves that form the material world? At last, we have the answer thanks to Mamuni Mayan:

Dr. Sthapati says that “the paradox lies in the utter simplicity of the answer: The Moolam (Brahmam) is in love with its own inherent beauty and this beauty it searches for on the outside and this perfection it constantly creates, so that it may forever savor and enjoy this ultimate beauty. In its desire to create a substantive representation of itself on the outside, in order to savor its own beauty, the Moolam impels itself into a spin. Upon rotating the particles are thrown out all around the center. Mayan says that it is from this action of discharging particles of light from the luminous core that the Moolam anticipates the end product of a manifested outer phenomenon. The very act of anticipation of a final outcome and the effort put into bringing this about are the reasons for the ultimate object to be transformed into a reality from being figment of an inner dream.”

Tomorrow we will explore this process more deeply with a summary written by an advanced student of the American University of Mayonic Science and Technology. :)

Reference

Fabric of The Universe: The Origins, Implications, and Applications of Vastu Science By Jessie J. Mercay. Text and diagrams, with permission, from Dr. Jessie Mercay, Fabric of the Universe, aumscience.com/wordpress. For any questions please visit http://www.aumscience.com.

The Aintiram – The Five Aspects

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By Dr. Jessie Mercay
posted by Ganesh

In Mayan’s deep, spiritual and scientific treatise called the Aintiram, the profound underpinnings of Vastu Science are articulated.

Aintiram is a multidimensional treatise on Energy and Matter, Space and Time, Order and Beauty. Absolute time creates life said Mayan in his Aintiram. He added that “Mathematics has its roots in the Time unit and Architecture is the zenith achievement of mathematics.” Aindiram is an embodiment of the subtle and penetrating theories of five aspects (Ain-Tiram) namely, Moolam (Prime Existence), Kaalam (Time), Seelam (Rhythm), Kolam (Form) and Gnalam (Earth). Mayan views the entire cosmic phenomenon in terms of these five aspects.

The following is a summary of some of the principles put forth by Mayan in the Aintiram:

1. Nothing is created – it is manifested from the One Source.
2. The Originating Source is sometimes called Moolam, Brahmam (Quantum Field)
3. It constantly creates (manifests) so that it may forever savor and enjoy its own Ultimate Beauty. That is, the Originating Source found itself to be so beautiful and perfect, and in love with that beauty and perfection that it manifested itself in different material forms in order to experience and savor that beauty eternally.
4. This Originating Source or spiritual center is Moolam (meaning source), Maiyyam (meaning center) and Pulli meaning point) – the central source point of consciousness – pure energy.
5. All objects of nature are unified entities (forms)of energy and matter.
6. The free space is the unified field of energy and matter and source of all forms that we see in material world.
7. There are two OMs: OM Light and OM Sound, the former is the source of all visible objects and the latter, the source of all aural forms.
8. All material forms of the universe are musical forms or have taken shape on musical rhythm or musical scale.
9. Time creates, sustains, and destroys all, so created.
10. The primal manifest form of the unmanifest is square (primal wave pattern).
11. The primal square pattern is designated as the diagram of embodied energy – Vaastu Purusha mandala.
12. The free space is packed with cubical atoms of energy. They are building blocks of the structure of the universe.
13. The cube is micro-abode called Sittravai/Chittrambalam (mini hall in Tamil).
14. Within the hall there is a vertical luminous shaft called Brahma Sutra (Oli nool).
15. This Olinool/Brahma Sutra is a shaft of consciousness also called Moolathoon/Moolasthambham.
16. This shaft of consciousness vibrates in a particular order called rhythm. This is the order of nature.
17. This rhythmic vibration of the shaft of consciousness is the dance of Shiva, the Space.
18. The micro space, in the cubical shape is foetus, Garbha or Bindu. This is known as Vinkaru in Tamil.
19. This micro abode is the repository of light and sound.
20. The free space is Light and the Light is Moolam or source of the universe and universal forms. Light is Brahman, Atman, Vastu Brahman – Nun porul in Tamil.
21. The embodied energy is Vaastu Brahman/Vaastu Purushan. The space enclosed in a building is Prasada Purushan – energized building –Building is a living organism, built of musical units of measure.
22. Architecture is the supreme achievement of mathematics.
23. Mathematics is rooted in the dynamism of Absolute Time.
24. Time is the vibration of Space.
25. Time and Space are equal.
26. Time is one of the subtle elements of Space (akasa).
27. Time is the causal element of all objects of the Universe.
28. The microcosmic structure is in total identity with macrocosmic structure.
29. The supreme space is throbbing every moment to express itself out.
30. Through the power of inner consciousness, the knower of Vastu should know about light aspects and sound aspects of OM pertaining to both inner and outer space.
31. Those who do not realize the creative dynamism of inner space cannot know the dynamism of outer space (195,831).

These thirty-one principles form part of the foundation of the sciences called building architecture of Sthapatya Veda, Vaastu Shastra and Traditional Indian Architecture. These are commonly called Vastu or Vaastu. While these ideas may seem unfamiliar or perhaps abstract, their meaning and significance becomes clear as one delves more deeply into the science of Vastureva Vaastu- energy becoming matter through the manifestation process which we will go through in next weekend.

Reference

Fabric of The Universe: The Origins, Implications, and Applications of Vastu Science By Jessie J. Mercay. Text and diagrams, with permission, from Dr. Jessie Mercay, Fabric of the Universe, aumscience.com/wordpress. For any questions please visit http://www.aumscience.com.